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FOSSIL EXPERIENCE

A program on the widely divergent – and in part violent – realities generated by the use of fossil fuels.

With: Ayọ̀ Akínwándé, Monira Al Qadiri, Kat Austen, Marjolijn Dijkman, Rachel O’Reilly

Poetry by Róža Domašcyna, Ibiwari Ikiriko and Julia Spicher Kasdorf

as well as further contributions from Christopher Basaldú, Caroline Breidenbach (wasserstories), Ayasha Guerin, Fossil Free Berlin, Fossil Free Culture NL, Rebecca Abena Kennedy-Asante (Black Earth Kollektiv), Klimaneustart Berlin, Anna Lena Kronsbein (Leibniz-Institute of Freshwater Ecology and Inland Fisheries), Maike Majewski (Transition Town Pankow), Elske Rosenfeld, Liz Rosenfeld & Dasniya Sommer, Esteban Servat, Sumugan Sivanesan (Black Earth Kollektiv), The Driving Factor (Elisa Bertuzzo, Daniele Tognozzi, Neli Wagner), Wassertafel Berlin-Brandenburg, and Philine Wedell (Senate Department for Economics, Energy and Public Enterprises).

Fossil Experience addresses a number of the widely divergent – and in part violent – realities generated by the use of fossil fuels. The wealth accrued by specific social groups, nation states, and corporations by means of fossil fuels is inseparable from the ecological disasters at the sites where they are extracted, processed, and transported. In regions with high levels of energy consumption, including post-industrial urban centres such as Berlin, fossil energy and petroleum-based products are ubiquitous. At the same time, the greenhouse gas emissions, toxic waste, and environmental damage arising from the production, transport, and burning of fossil fuels continue to be overlooked, or are downplayed by powerful institutions.

The notion of fossil experience points, on the one hand, to the experience of acceleration made possible by the widespread availability of cheap energy, particularly in the second half of the twentieth century. On the other hand, it refers to the traumas of extraction, exposure, and displacement, which threaten to further escalate as climate change progresses. Fossil experience also bleeds into the long-awaited energy transition as, in the guise of a supposedly green capitalism, this transition is instrumentalised by a number of corporations to continue maximising profits. But it is neither sufficient nor acceptable to greenwash energy technologies that simply repeat dubious extractivist logics. Climate change and environmental devastation can only be addressed by centring demands for social and ecological justice.

Located in a former water reservoir, Fossil Experience brings together artistic works and stories about geographies affected by the speculation and resource extraction involved in energy production. Resonating with the former function of the site, the exhibition constantly returns to the threat posed by large-scale industrial projects to bodies of water.

 

Kat Austen This Land is Not Mine Performance Wendisches Museum 2021 Foto Studio Kat Austen Andreas Baudisch Wendisches Museum

 

Marjolijn Dijkman Cloud to Ground 1 2021 Installation view at Z33 House for Contemporary Art Design Architecture Hasselt Belgien 2022 Foto  Kristof Vrancken

 

A project by Prater Galerie hosted by

Großer Wasserspeicher
Belforter Straße, 10405 Berlin

Kleiner Wasserspeicher
Diedenhofer Straße, 10405 Berlin

Schankhalle Pfefferberg
Schönhauser Allee 175, 10119 Berlin

Program launch: 07/04/2022, 7–9 pm, Schankhalle Pfefferberg, Loft
Exhibition opening: 22/04/2022, 6-10 pm, Großer Wasserspeicher
Opening hours: 23/04–08/05/2022, 12-8 pm daily, Thursdays 12–10 pm

For more information click HERE

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Image Captions:

Monira Al Qadiri, Wonder, 2016-2017, Geschliffene Naturperlen, jeweils 1cm Diameter
Foto: Marius Land

Kat Austen, This Land is Not Mine, Performance, Wendisches Museum, 2021.
Foto: Studio Kat Austen, Andreas Baudisch, Wendisches Museum

Marjolijn Dijkman, Cloud to Ground #1, 2021, Installation view at Z33 House for Contemporary Art, Design & Architecture, Hasselt, Belgien (2022)
Foto: Kristof Vrancken

 

 

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